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By Pierre Cabanne

”Marcel Duchamp, one among this century’s pioneer artists, moved his paintings in the course of the retinal limitations which have been tested with impressionism into t box with impressionism into t box the place language, inspiration and imaginative and prescient act upon each other, There it replaced shape via a fancy interaction of latest psychological and actual fabrics, heralding a few of the technical, psychological and visible information to be present in more moderen art...In the Twenties Duchamp gave up, give up portray. He allowed, probably inspired, the attendant mythology. One considered his selection, his keen this preventing. but on one get together, he stated it used to be unlike that. He referred to breaking a leg. ’You don’t suggest to do it,’ he said.The huge Glass. A greenhouse for his instinct. Erotic equipment, the Bride, held in a see-through cage—’a Hilarious Picture.’ Its pass references of sight and proposal, the altering concentration of the eyes and brain, supply clean experience to the time and area we occupy, negate any trouble with paintings as transportation. No finish is in view during this fragment of a brand new standpoint. ’In the tip you become bored, so I didn’t believe the need to end it.’He declared that he desired to kill artwork (’for myself’) yet his chronic makes an attempt to wreck frames of reference altered our considering, tested new devices of concept, ’a new notion for that object.’The paintings group feels Duchamp’s presence and his absence. He has replaced the of being here.”--Jasper Johns, from Marcel Duchamp: An Appreciation</Div>

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Motherwell, Robert, et al. sleek Artists in the USA. First sequence. Edited via Robert Motherwell, advert Reinhardt, Bernard Karpel. ny, Wittenborn, Schultz, 1951. comprises The Western around desk on sleek paintings, pp 25-37 (bibl. 19). 21. NELSON, JAMES, ed. knowledge: Conversations with the Elder clever males of Our Day. Edited and with an advent through James Nelson. big apple, Norton, 1958. contains Marcel Duchamp, Walter Gropius, Jacques Lipchitz, Edward Steichen, Frank Lloyd Wright, and so on. Bibliographies. 22. PARINAUD, ANDRÉ. André Breton—Entretien avec Marcel Duchamp. In Omaggio a André Breton. Milan, Galleria Schwarz, January 17 February eleven, 1967. Italian, French, English textual content. Essay and homage with common quotations from Duchamp. Breton bibliography via Arturo Schwarz. 23. SEITZ, WILLIAM c. , ed. artwork of Assemblage Symposium. ny. Museum of recent artwork, 1961. Panel: Roger Shattuck, Charles R. Huelsenbeck, Marcel Duchamp, Robert Rauschenberg, Lawrence Alloway. Moderator: William C. Seitz. Held along side exhibition, October 19, 1961. Taped and typed transcript. 24. SEITZ, WILLIAM, “What’s occurred to artwork? ” An interview with Marcel Duchamp on current effects of latest York’s 1913 Armory convey. style (New York) March 1, 1963. An edited taped interview (pp. 110-113, 129-131). 25. SWEENEY, JAMES JOHNSON. [Interview with Marcel Duchamp. ] Museum of recent paintings Bulletin (New York), No. 4-5, 1946. targeted factor: “Eleven Europeans in the USA. ” short biography and bibliography. Supplemented by means of 1956 interview, a Duchamp-Sweeney kinescope, in tv archive of the museum. approximately Duchamp: Books, Brochures, Catalogues 26. ARTS COUNCIL of significant BRITAIN. the just about whole Works of Marcel Duchamp on the Tate Gallery. London, June 18-July 31, 1966. Preface and chronology by means of Gabriel White; advent through Richard Hamilton. Annotated illustrated catalogue together with books, periodicals, files. wide bibliography via Arturo Schwarz. 27. BARR, ALFRED H. , JR. incredible paintings, Dada, Surrealism, 4th ed. long island, Museum of recent artwork and the Arno Press (1969). A reprint of a vintage exposition. Exhibition catalogue (December 1936), reissued with essay through Georges Hugnet (1937) and revised for alternate version via Simon and Schuster, with chronology and bibliography yet omitting catalogue. Reprint via Arno (identical information yet converts colour into black and white). In unique exhibition (December 7-January 17), nos. 216-225e have been through Marcel Duchamp. 28. CHICAGO artwork INSTITUTE. twentieth Century artwork from the Louise and Walter Arensberg assortment. Chicago, October 20-December 18, 1949. Essay by means of Katherine Kuh on Marcel Duchamp. additionally seek advice James Thrall Soby:“ Marcel Duchamp within the Arensberg Collection,” View (New York), March 1945. 29. CORDIER AND EKSTROM, Inc. no longer obvious and/ or much less obvious of/ by means of Marcel Duchamp/ Rrose Sélavy 1904-1964. Mary Sisler assortment, ny, January 14 February 19, 1965. Foreword and catalogue texts by way of Richard Hamilton. additionally exhibited on the Milwaukee paintings heart, with comparable catalogue, September 9-October three. shows comprise files and versions.

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