Download E-books Heidegger, Hölderlin, and the Subject of Poetic Language: Toward a New Poetics of Dasein (Perspectives in Continental Philosophy) PDF
By Jennifer Anna Gosetti-Ferencei
Heidegger's interpretations of the poetry of Hlderlin are significant to Heidegger's later philosophy and feature made up our minds the mainstream reception of Hlderlin's poetry. Gosetti-Ferencei argues that Heidegger has neglected primary parts in Hlderlin's poetics, resembling a Kantian knowing of aesthetic subjectivity and a dedication to Enlightenment beliefs. those parts, she argues, face up to the extra politically distressing features of Heidegger's interpretations, together with Heidegger's nationalist valorization of the German language and feel of nationhood, or Heimat.In the context of Hlderlin's poetics of alienation, exile, and wandering, Gosetti-Ferencei attracts a unique version of poetic subjectivity, which engages Heidegger's later philosophy of Gelassenheit, calmness, or letting be. In so doing, she is ready to pose a phenomenologically delicate conception of poetic language and a brand new poetics of Dasein,or being there.
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Extra info for Heidegger, Hölderlin, and the Subject of Poetic Language: Toward a New Poetics of Dasein (Perspectives in Continental Philosophy)
For Holderlin, no fast harmony of Being and cognition is feasible, and the "logic" of poetic language either gives you an oblique clutch of the ungraspable, and provides expression to ineffability as such. As T have hinted, the reconciliation among topic and item, issued within the wake of the lack of solidarity, takes altering varieties all through Holderlin's poetological writings: in epic, lyric, and tragic shape (ELT 41-44, 83-88); because the unending deferral of telos or because the pressured, - - ~ Poetic Subjectivity ~ 119 tragic union of topic and item (ELT 50-61); as mourning loss or the "unthinkable" (ELT 1lo), that is formulated in H! /,LJ~I-~OI~ in addition to within the later poems written after Holderlin gave up philosophicalpoetological writing. If, for Fichte, idealism signifies that "we are the topic wrho thinks bvhatever it's that \Ire could be pondering, and for this reason . . . \Ire can by no means come upon something autonomous people, "48 for Holderlin it really is accurately subjectivity that renders bvhat \Ire imagine estranged from us, that renders it the item of loss. The solidarity of nature or Being is thinkable in simple terms as distinction, or as loss, as anything recollected. . what the speaker hopes to recolThis cohesion, the "godly language, 1s lect within the poem "Der Archipelagus" ("The Archipelago") regardless of the frenzied churning of time: eleven Und die Gottersprache, das Wechseln Und das Werden rersteh,' und m-enn die reiilende Zeit mir Zu gem-altig das Haupt ergrifft und die Noth und das Irrsaal Unter Sterblichen mir mein sterblich Leben erschiittert, La11 der stille mich dann in deiner Tiefe gedanken. And to appreciate the godly language, the swap And the changing into, and if the impetuous time Seizes my head too forcefully and want and errancj one of the mortals shatters my mortal existence permit me keep in mind the stillness on your depths. the gap or distinction that's instructed right here -the shattered mortal lifetime of desire and errancy-nonetheless preserves lifestyles from its aid to mere mechanism, since it shows the finitude of the topic of figuring out. while Hyperion claims that "there is a spot in my lifestyles [Es ist hier eine Liicke in meinem Dasein]" this punctuation with nothingness, this interruption of the self's cohesion, is the situation for bliss: "I died, and \\,hen I abvoke I bvas mendacity opposed to the guts of the heavenly maiden. [Ich starb, und \vie ich erwrachte, lag ich am Herzen des himmlischen AIadchens]" ( H fifty eight / TVB I, 358). hence, whereas it provokes the poet's loneliness, distinction may also evoke pleasure, social gathering, even a sense of freedom; Holderlin's political proposal, to be mentioned within the subsequent tbvo chapters, will be understood as a reaction to this sense. Holderlin's severe appraisal of subjectivity is hooked up to the subjective foundations of poetry and the formal capability through wrhich they're either transcended and preserved in poetic language. Holderlin's idea of tragic poetry helps his critique. the speculation, articulated in his essay "The flooring for Empedocles," either contributes to a n articulation of poetic shape as a medium of transcendence past a hundred and twenty Poetic Subjectivity the boundaries of a finite cognizance and, even as, invokes a caution opposed to hubris, the idea of too nice a proximity to the holy or the "unthinkable.