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Download E-books Garage Glamour: Digital Nude and Beauty Photography Made Simple PDF

Posted On March 15, 2017 at 2:45 pm by / Comments Off on Download E-books Garage Glamour: Digital Nude and Beauty Photography Made Simple PDF

By Rolando Gomez

Nude and sweetness photographers can locate the useful highimpact strategies during this exhaustively illustrated guide that covers every thing from compositional assistance for garments, add-ons, and poses to extra technical demanding situations reminiscent of lights, lens choice, and publicity, demonstrating tips to produce attractive, worldclass pictures utilizing minimum apparatus with out accruing a burdening funding. starting with the 4 S's of glamour images (sexiness, sultriness, sensuality, and seductiveness), amateurs and execs alike are proven new how one can in achieving appealing photographs, with extra tips about operating with types that come with equipment for accentuating resources whereas minimizing flaws and starting up cozy operating relationships. Photographers also are proven how one can flip their pastime right into a profitable occupation, or improve the productiveness and source of revenue of an current enterprise by means of honing advertising and marketing and ads abilities and gaining knowledge of the artwork of producing company through referral. in response to the author's well known web site (garageglamour.com), this consultant deals valuable guideline to making glamorous, attractive photos like these noticeable in Playboy, Maxim, and different men's magazines.

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19 garments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 follow Favorites . . . . . . . . . . . . . . . . . . . . . 20 keep away from New Purchases . . . . . . . . . . . . . . . . . . . . 20 garments colour . . . . . . . . . . . . . . . . . . . . . . . . 20 Bikinis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 components . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 jewellery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Belts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Hats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 sun shades . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Coats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 desk OF CONTENTS three Warming Gels . . . . . . . . . . . . . . . . . . . . . . . . . 30 Framing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . forty seven Chiaroscuro . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Lens choice . . . . . . . . . . . . . . . . . . . . . . . . . forty seven different yet Required parts . . . . . . . . . . . . . . 31 strains . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . forty seven digicam place . . . . . . . . . . . . . . . . . . . . . . . . . 31 Rule of Thirds . . . . . . . . . . . . . . . . . . . . . . . . . forty nine Vertical photographs . . . . . . . . . . . . . . . . . . . . . . . . 31 course . . . . . . . . . . . . . . . . . . . . . . . . . . . . forty nine digicam Tilt . . . . . . . . . . . . . . . . . . . . . . . . . . 33 White stability . . . . . . . . . . . . . . . . . . . . . . . . . . 50 digital camera top . . . . . . . . . . . . . . . . . . . . . . . . 33 temper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty five fluctuate Your standpoint . . . . . . . . . . . . . . . . . . . 35 The Model’s temper . . . . . . . . . . . . . . . . . . . . . . fifty five heritage . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 The Photographer’s temper . . . . . . . . . . . . . . . . . fifty seven Shadow aspect . . . . . . . . . . . . . . . . . . . . . . . . . 36 the surroundings . . . . . . . . . . . . . . . . . . . . . . fifty seven Lighter Backgrounds . . . . . . . . . . . . . . . . . . . . 37 Backdrop . . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty eight outdoor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 The lighting fixtures . . . . . . . . . . . . . . . . . . . . . . . . . . fifty eight yard photographs . . . . . . . . . . . . . . . . . . . . . . . 38 colour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty nine Previsualization . . . . . . . . . . . . . . . . . . . . . . . 38 garments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty nine Separate the topic . . . . . . . . . . . . . . . . . . . . . forty The Angles . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty nine Shadows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . forty-one The 4 S’s . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty nine Be Observant . . . . . . . . . . . . . . . . . . . . . . . . . forty two Curves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Posing and lights . . . . . . . . . . . . . . . . . . . . forty three Drop a Strap . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Composition . . . . . . . . . . . . . . . . . . . . . . . . . . . forty four Expression . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 body structure . . . . . . . . . . . . . . . . . . . . . . . . forty four Implied Nude . . . . . . . . . . . . . . . . . . . . . . . . . sixty one Cropping . . . . . . . . . . . . . . . . . . . . . . . . . . . . forty six Hair and make-up . . . . . . . . . . . . . . . . . . . . . . . . sixty two make-up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . sixty two Hair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . sixty five 2. LENS choice . . . . . . . . . . . . . . . . . . . . . . . sixty six the 3 C’s . . . . . . . . . . . . . . . . . . . . . . . . . . . . sixty six Compression . . . . . . . . . . . . . . . . . . . . . . . . . . . sixty six Composition . . . . . . . . . . . . . . . . . . . . . . . . . . . sixty seven convenience . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . sixty eight together with the heritage . . . . . . . . . . . . . . . . . . sixty eight three. topic RAPPORT . . . . . . . . . . . . . . . . . . . . . sixty nine four. SMILES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . seventy one five. POSING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . seventy three convenience . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . seventy three Individualized Posing . . . . . . . . . . . . . . . . . . . . . seventy four peak . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . seventy seven Hips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . seventy seven Breasts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . seventy seven arms . .

Rated 4.15 of 5 – based on 26 votes